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As all faithful Metro Classics readers know, our new series, One-Two-Three, begins on Wednesday. The One in that line-up, the first three ... -
A brief break from my cold-inspired marathon of Ken Burns's Jazz documentary on the instant netflix to throw down a gauntlet in respon... -
Hot off our resounding success with our summer series, we convinced our benevolent overlords to allow us to continue, this time in a more au... -
New York Times critic Bosley Crowther was utterly perplexed by Gilda on its premiere in March of 1946 , not an unusual state for him. &q... -
This week's film from Michael Powell and Emeric Pressburger (the third of their many classics we've played, after The Red Shoes an... -
Earlier this week Sean posted a reasoned, well thought-out, but ultimately misguided essay on Charlie Chaplin's superiority. I am now ... -
I've worked alongside my cohort in this lucrative enterprise, Mr. Sean Gilman, for nigh five years now and at times I feel like I know t... -
Nora Sayre reviewed Celine & Julie Go Boating in the New York Times back in October of 1974, and noted in particular the film's... -
Although our new series revels in writhing in the rings representing Dante's Inferno, none of the nine classics we will soon ever so pr... -
Not the Metro. No doubt there are legions of fanatics that follow the minutest goings-on at Metro Classics who unfortunately live in locales...
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